
One per student, per discipline
Book a free trial class
A trial is a real class. The student changes, joins in, is corrected by name and leaves with an opinion. It is the only evidence about a school that is not marketing, which is exactly why it costs nothing.
How it works
Pick a class and a date
Any class in the timetable marked as taking trials, on any of the dates it meets this term. Book it on the timetable page or telephone the office.
Come fifteen minutes early
Long enough to find the room, change, and meet the teacher before fourteen other people arrive.
Wear roughly the right thing
Nothing needs buying for a trial. Something to move in and bare feet will do for every class except tap, and for tap we will lend shoes.
Decide afterwards, not in the corridor
Nobody will ask you at the door. Enrol online whenever you have decided, and the place is counted then rather than held.
A trial holds a place, and that has a consequence
This is the part most schools do not say. A trial student is in the room, in the register and in the teacher's attention, exactly as an enrolled student is. So a trial takes a place — on that one date rather than on every date, but a real place.
Which means a full class cannot take a trial. If it could, a class with sixteen places and sixteen students would quietly become a class of seventeen whenever somebody asked nicely, and the number on the timetable would be a decoration. The enrolment system counts trials against the capacity of the date they fall on. That is a deliberate piece of arithmetic and it is the easiest thing in a booking system of this shape to get wrong.
A free trial holds a place. A free trial holds a place in the class for that week, exactly as an enrolment does. That is why a full class cannot take one — a trial that quietly overfilled a class would be the same thing as lying about the capacity.
The classes that do not take trials, and why
six classes in the timetable are marked as not taking trials. They are the upper-level dance classes and the continuing guitar group, and the reason is not exclusivity: a class working on material built over several terms cannot usefully absorb a stranger for one evening, and the stranger has a bad hour. For those, the right route is a conversation with the teacher and usually a term in the level below.
| Class | Day | Time | Teacher |
|---|---|---|---|
| BalletBallet 3 | Monday | 6:00pm - 7:15pm | Marisol Duarte |
| ContemporaryTeens | Tuesday | 7:00pm - 8:15pm | Grace Okonkwo |
| BalletBallet 4 | Wednesday | 6:00pm - 7:15pm | Marisol Duarte |
| GuitarGroup guitar, continuing | Thursday | 5:30pm - 6:15pm | Jonah Feldman |
| BalletTeen technique | Thursday | 6:00pm - 7:15pm | Marisol Duarte |
| BalletBallet 3 | Friday | 5:45pm - 7:00pm | Marisol Duarte |
One per student per discipline
A student may trial ballet once, jazz once and piano once. They may not trial three different ballet classes looking for the one with their friend in it — not out of meanness, but because each of those is a place taken from somebody who would have enrolled, and the teacher spends the evening settling somebody who is leaving.
Adults get the same one per discipline, and the same welcome.
Pick a class
Everything that takes a trial, by day
Filter the full timetable by discipline, age or day and book from there.
Before the first class
What to wear, and what the first hour is like
Two pages worth reading before you come: what a first class actually looks like for a nervous child, and what to wear for each discipline. Neither of them asks you to buy anything.