
Ages 3-5
Classes for ages three to five
Forty-five minutes, twelve children, and one thing at a time.
What ages three to five actually gets
First Steps classes are forty-five minutes long and capped at twelve, which is lower than the room would hold. A class of three-to-five-year-olds is not limited by floor space, it is limited by how many children one adult can actually see.
- Parents wait in the corridor rather than in the room. There is a window into Studio A and it is usually full of people looking through it.
- The first two or three weeks of a child's first term are often difficult. That is normal, it is not a sign that the class is wrong, and we will tell you honestly if we think it is.
- No uniform at this age beyond something to move in and the right shoes.
- There is no recital obligation for First Steps. Those who want to be in it are on stage for about ninety seconds.
On the timetable
Every class open to this age
Filtered from the whole timetable by age rather than by discipline. Every row is a real class with a real number of places and a fee the enrolment system actually charges.
| Class | Day | Time | Room | Teacher | Places | Term fee |
|---|---|---|---|---|---|---|
| BalletFirst Steps ages 3 to 5 | Monday | 3:45pm - 4:30pm | Studio A | Marisol Duarte | 12 | $234 |
| JazzFirst Steps creative dance ages 3 to 5 | Tuesday | 4:00pm - 4:45pm | Studio B | Grace Okonkwo | 12 | $234 |
| BalletFirst Steps ages 3 to 5 | Wednesday | 3:45pm - 4:30pm | Studio A | Marisol Duarte | 12 | $234 |
| TapFirst Steps ages 4 to 6 | Thursday | 4:00pm - 4:45pm | Studio C | Danny Ruiz | 10 | $234 |
| PianoMusic and movement ages 3 to 5 | Friday | 4:00pm - 4:45pm | Studio A | Elena Vasquez | 12 | $234 |
| BalletFirst Steps ages 3 to 5 | Saturday | 9:00am - 9:45am | Studio A | Marisol Duarte | 12 | $234 |
| JazzFirst Steps creative dance ages 3 to 5 | Saturday | 9:00am - 9:45am | Studio B | Grace Okonkwo | 12 | $234 |
What a class here is actually like
In the room: A First Steps room is kept small on purpose — well below what the floor space would otherwise hold, because the limit is how many children one adult can actually watch rather than how much room there is. Forty-five minutes covers one idea at a time: hearing a phrase of music and stopping when it stops, taking a turn in a small space, and being in a room with an adult who is not a parent.
The first term: The first two or three weeks are often difficult, and that is ordinary rather than a sign the class or the child is wrong. Some children spend a first class or two standing at the side and watching, which is a normal way to spend forty-five minutes and not a wasted fee. We will tell you honestly if we think a different day, or a different age, would suit better.
What it costs: The fee for every First Steps class is in the table above, worked the same way as every fee on this site: a per-session rate multiplied by the sessions that class actually meets this term. There is also a once-a-school-year registration fee, set out in full on the fees page.
What this age is not
Parents wait in the corridor rather than in the room. There is a window into the studio and it is usually full of people looking through it — a room of small children with a dozen parents inside it is a different, harder room to teach in, for everybody in it.
There is no recital obligation at this age. A child who wants to take part is on stage for well under two minutes, and a child who does not is not moved, spoken to about it, or made to feel behind.
A class is not childcare. A class is not childcare and this school is not licensed as a childcare provider. Students under twelve are released only to a named adult and there is no supervised waiting before or after class.
First Steps · one free trial per student
Book a free trial, and see for yourself
A trial is a real class and the student joins in. It is the only evidence about a school that is not marketing, which is why it costs nothing. If the class you want is full you will be offered the waiting list instead, with the position you would be in — a number, not a promise to be in touch.